With the modular and variable forms that the Red One camera can take, there are many different configurations out there. We like to think that our red one ultimate kits are the ultimate in design, flexibility and comprehensiveness.
Whether you’re shooting hand-held, on a crane, dolly or in inaccessible areas with the wireless HD transmitters, the kit will always adapt to your specific needs. The best Arri, Cooke or Angenieux optics complete our immaculate and well designed, flight cased kits.
*SENSOR*
14 MEGAPIXEL MYSTERIUM-X™
*PIXEL ARRAY*
5120 (h) x 2700 (v)
*S/N RATIO*
66db
*DYNAMIC RANGE*
13+ stops
*MAX IMAGE AREA*
4480 (h) x 2304 (v)
*LENS COVERAGE*
24.2mm (h) x 12.5mm (v) x 27.3 mm (d)
*DEPTH OF FIELD*
Equivalent to S35mm (Motion) lens
Equivalent to 16mm (Motion) lens in 2K RAW
*ACQUISITION FORMATS*
4.5K RAW (2.4:1)
4K RAW (16:9, HD, 2:1, and Anamorphic 2:1)
3K RAW (16:9, 2:1, and Anamorphic 2:1)
2K RAW (16:9, 2:1, and Anamorphic 2:1)
*PROJECT FRAME RATES*
23.98, 24, 25, 29.97 fps @ 4.5K, 4K
50, 59.94 fps @ 3K, 2K
*DELIVERY FORMATS*
4K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
2K : DPX, TIFF, OpenEXR (RED RAY via optional encoder)
1080p RGB or 4:2:2, 720p 4:2:2 : Quicktime, JPEG
Avid AAF, MXF. 1080p 4.2.0, 720p 4:2:0 : H.264, .MP4
*MONITOR OUTPUTS*
HD-SDI and HDMI with Frame Guides and Look Around
720p RGB or 4:2:2
SMPTE Timecode, HANC Metadata, 24-bit 48Khz Audio
*DIGITAL MEDIA*
REDFLASH (CF) Module : (16GB Media)
RED SSD™ (64GB, 128GB, 256GB Capacity)
*REDCODE™*
12-bit RAW : RC28, 36, 42 Quality Levels
1-30 fps 4.5K, 4K
1-60 fps 3K
1-120 fps 2K
*AUDIO*
4 channel, uncompressed, 24 bit, 48KHz.
*MONITORING OPTIONS*
RED LCD 5" Flat Panel Display
*RED PRO LCD 7"*
Flat Panel Display
*BOMB EVF™*
High Definition Viewfinder
*REMOTE CONTROL*
USB-2, GPI Trigger
*WEIGHT*
10lbs. Body
*CONSTRUCTION*
Aluminum Alloy
*TEMPERATURE RANGES*
Operating Range: 0˚C to +40˚C (32˚F to 104˚F)
Storage Range: -20˚C to +50˚C (-4˚F to 122˚F)